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Tuesday, March 6, 2012

THE LONG ROAD: 1

"The people came from different parts of the world. Some came from the south, some from the west, some from east and north. They came here not on their own really, but they have now called this place their own. After a long time, they’ve all scattered, to different part of the country,” said the old woman. “They've gone out to the west, east, and north, in search of a new habitation. The news is that wild fire has destroyed the land down south. Many people have left for the mid-west. Some have carried with them the seed of the past buried in their bosom. The seed of evil pride is hidden in them all, waiting for a time to manifest.” The old woman satisfied with her narrative, pursed her lips before turning her head away to the direction of the wall. She stared into the distance, through the wall. Looking as if she had forgotten the boys and girls seated at her side.
Timothy, Adrian and Philip, Angela and Grace waited for her to continued, but the old woman in her own silence looked away like she was trying so hard to remember something. The teenage boys and girls were staring at her and waiting for her to conclude her story, when she raised her head and stared away like she were angry. Adrian in boldness lifted his hand away from his jaw where he was resting it patiently, and placed the hand on the old woman’s knee and looked at her invitation-ally. The old woman feeling the warmth of the young boy’s hand on her knees, became suddenly aware of her own silence and turned, then looked the boy in the face. She peered downwards, into his eyes sternly and then smiled before turning away. The boy was shocked by her gaze- as he quickly removed his hand from her knee.
"Yes," my boys, the old woman continued. "They have gone over to the calm sea, away from the land they said evil has beseeched. The evil deeds committed by our ancestors to those brought captives from the natural land of the free,” said the old woman then turning her head to look each child’s face as they sat with their legs folded and eyes staring at her.
   The old woman, also called Mrs. Dicks, is a small and slender fair complexion plain woman in her mid-seventies. Her almost gray and long hairs were parted in two strands, and pined behind her back to keep them from falling onto her face. Her nails were painted in red nail polish, and so was her lips, they were painted in red. The old woman had once told the girls that a woman without makeup on her face is like a naked woman without cloths. To this comment the girls had laughed humorously at Angela for teasing Grace for wearing a nail polish on her right index finger. The old woman had looked at Grace, and commented on her nail polish.
“That is pretty, but next time, ask your mother to complete the entire five fingers. It’s more feminine with the whole nails painted than just a finger,” the old woman said, as she stroke Grace’s check.
 Even in her nightgown as the old woman is seen today with the teenagers, she is still completely made up like she is going out for a date. Every morning for Mrs. Dicks, and after shower and before she even steps out of her house, she seats down by her dressing table to make up her face. She only takes off her makeup when she is ready to go to bed, and that’s if she is through reading her novel.
 After some brief seconds of silence and looking at the children’s face, the old woman turned, and looked toward the open window, and then about the cream color painted room with pictures hanging on every angle of the wall. She stared at the painting on the walls, and then fixed her eyes on the painting mounted above a mahogany piano player and pointed at it.
“That’s my grandmother’s gift to me. It’s being seating on that piano since I moved in here some fifty years ago.” I clean it, dust it, but I don’t move it an inch.” She concluded and then smiled as she remembers that she has not finished her story.

Sunday, February 20, 2011

WHAT IS YOUR LOVE STORY?

To some people, love and marriage comes relatively easy, and is long lasting, but to others, it is one bad relationship after another.
Could it be that the love story some of us have scripted into our head is completely to blame? Perhaps so, because according to a study conducted by some relationships experts, for example, Robert J. Sternberg, (1998) the story of our ideal love life plays a major factor in why some of us find it hard to stay and maintain a long lasting relationship or marriage. Some of us have unrealistic love stories planted in our head, and like antenna, it picks up the wrong love signal for us.
The story of our life, according to Sternberg, helps us find the love of our life. He says we start forming our ideas about love soon after birth, based on our in-born personality, our early experience and our observation of our parents’ relationships as well as depictions of romantic movies, television and books.  Perhaps this explains some concern, the writer of this article, like many who have not found the ideal man of their dreams, may have had.  According to the writer of this article, she was one of those dreamers, whose ideal men in the past were men who looked like the men we see on Hollywood movies- like John Travolta, Blair Underwood, and Tom Cruises- but when she eventually settled in America and realize that the chances of her finding or meeting such men were slim, she began reconstructing the love story she had first formed in her head, the first time she saw John Travolta in Greece, and thought he was her typical ideal man.
Hollywood kind of romance according to Ted Huston, a pioneer in the psychology of relationships, is very unrealistic and delusional and often leads to partners expecting too much from each other. Huston also says that, “the road to divorce is inevitable when couples have unrealistic expectations.” In an experimental study, where he followed 168 couples from their wedding day through 13 years of marriage, Huston found that, although couples whose marriage bliss are particularly divorce-prone, and starts with less Hollywood romance have more promising future. And our Culture, Huston added, is to blame for perpetuating the myth of storybook romance, prompting some to feel that they ought to live the kind of love life they see on television, which in truth is very unrealistic.
Some men and ladies, as in the African community, some times have unreal love stories, about how their ideal partner must look, love and behave like. Unfortunately, because what they have implanted in their heads is based on false premise, they end up year after year meeting, falling in and out of love with the wrong kind of person.  Based on research conducted by Robert J. Sternberg, people describe love in many ways, and this description reveals their love story. For example, someone who strongly believes a close relationships are like good partnerships tells a business story, and someone who says they end up with partners who scare them- or that they like intimidating their partner- enacts a horror story.
  Sternberg believes couples usually start out being physically attracted and have similar interest and values. But eventually, they may notice something missing in the relationship and that something is usually story compatibility, (sternberg, 1998). According to Sternberg, couples whose stories don’t match are like two characters on stage acting out different plays- they may look right at first glance, but underneath the surface, there is an underlying lack of coordination to their interaction.
The key to compatibility with a romantic partner is whether our stories match. When our love stories do not match, this is the signal that something is amiss- and to fix it, we must be conscious of what our love stories are, then seek people with compatible tales, and perhaps replot conclusions that aren’t working for us, (Sternberg, 1998).
For comment please email author at botobo1@yahoo.com This e-mail address is being protected from spambots. You need JavaScript enabled to view it  

NOLLYWOOD/ACTION:TAKE 1..............'THIS AMERICA" CONTINUES..

 Continue from previous post-
                   

                                                                          JANE
                                           What? At least you didn't get any of them.
                                            You would really be in trouble.

              The girls laugh.

                                                                          JANE  (CONT'D)
                                             Let's go out!
                                                                       
                                                                          SHAMALA
                                             It's almost getting late. Where do you  want
                                             to go?

                                                                           JANE
                                             Who cares, lets just be somewhere else to
                                              clear our minds.

                                                                           SHAMALA
                                               What makes you so restless all of the sudden?

                                                                            JANE
                                                Well, two things really. The first being
                                                 freedom?

                                                                            SHAMALA
                                                  What? Explain?

                                                                             JANE
                                                  Well, I don't really want to talk about it
                                                   a lot but I just came back from court not
                                                   too long ago and everything is looking
                                                   really confusing.

                                                                            SHAMALA
                                                   Ok, well! If you are sure you don't want to
                                                   talk about it then what is second.

                                                                             JANE
                                                     It's not that I don't want to talk about
                                                     it. It's just that I need to clear my head
                                                     that's all. All this court stuff is
                                                     really irritating me and I need a break.

                                                                           SHAMALA
                                                     A break seems like it is the easiest
                                                     thing in the world, but recently I have
                                                     realised that there is much more to it.

                                                                           JANE
                                                      Your telling me. I was in court five
                                                       times in the last three months. Murderers
                                                       and rapists do not go that often.


                                                                         JANE  (CONT'D)
                                                      If I miss more days at work, I could loss
                                                      my job and then I will be forced to go
                                                      back home and I just don't want to even
                                                      think about that now.


                                                                         SHAMALA
                                                       Understandable. You are right we should
                                                       do something. I think, we should certainly
                                                       go out.

                 Shamala smiles and they get their shoes to leave the apartment.


INT.          SHAMALA/VICTORS BEDROOM    ---------- NIGHT

                 Victor sleeps while Shamala is quietly getting ready for bed.

                  She lays in bed,  backing Victor.

                  Victor wakes looking at Shamala's back. He moves closer
                   to cuddle and gives her a kiss.
                 
                   Shamala gets  up and goes to the bathroom.

                                                         SHAMALA
                                                 I have to go to the bathroom

                   Victor looks up at the ceiling.
          
                    INT.  BATHROOM----- NIGHT

                    Shamala states into the mirror, then proceeds to wash her face.                    

                    She looks back up at the mirror and begins to cry as she tries to muffle
                    the soud.

                     INT.  SHAMALA'S APARTMENT- DAY

                     Victor walks in through the front door with plastic bags in his hands.

                                                         VICTOR
                                             Home.

                      Victor takes off his jacket and shoes, and placed the bags on the
                       on the center table                           

                                                         VICTOR (CONT'D)
                                              Shala!
       
                       He walks into the kitchen and sees her cooking.

(Continue from next post)                                                     

Thursday, February 17, 2011

NOLLYWOOD/ACTION:TAKE 1..............'THIS AMERICA" CONTINUES..

Continues from the previous post-
                                                                                  
                                                                      JANE   (CONT' D)
                                                 If you are going to make this decision
                                                 you have to be certain, more than certain
                                                 that this is what is right for you.

                                                                       SHAMALA
                                                 I know. It is what is right. Isn't it? am I
                                                 wrong to want to to go to medical school.
                                                 It's not like I am going to pursue an acting career.
                                                 I am not leaving him to be some diva or anything
                                                 like that, this is school Jane? This is education, life,
                                                 wisdom, this is for my future, my family that I will
                                                 have some day. Am I wrong?

                                                                        JANE
                                                  Shala, I am your friend for many years now. So long
                                                  that we know what we think and we know what will
                                                  say next. I love you like the sister I always had and I would do
                                                  anything for you. I am just making sure this is what you really
                                                  want and not just another phase that you are going through.

                                                                       SHAMALA
                                                  I do not go through phases- this is serious. Life is about
                                                  decision. I need a change,  new direction towards what
                                                  I want out of this life. Is that too much to ask?

                                                                        JANE
                                                  You don't do you? What about that time when all you
                                                   wore was black lipstick?

                                                                         SHAMALA
                                                              (laughing)
                                                  That was not a phase.. that was the fashion of the time.

                                                                          JANE
                                                  Yeah, but what ever happened to that tattoo, or any
                                                   of the other ones you wanted to get. That phase lasted
                                                   a little longer than I expected it to.

                                                                         SHAMALA
                                                    Jane! You are not listening to what my
                                                    heart is yarning to say. I feel like you are
                                                    trying to make fun of me.

                                                                         JANE
                                                     I am just making sure, my best friend knows what
                                                     she is doing- deciding to leave a man that loves you
                                                     is a decision that you have to think very carefully before
                                                     -----
Continue from the next post-

Wednesday, February 16, 2011

NOLLYWOOD/ACTION:TAKE 1..............'THIS AMERICA" CONTINUES..

Continue from previous post---

                     A knocking sound startles Jaine.

                   She walks to the door to look through the peep hole and
                      sees Shamala, 26, crying.

                                                              JANE  ( CONT' D)
                                             Shamala what is wrong? Why are you crying?

                                                              SHAMALA
                                              I don't know. I am so confused. I don't know.

                  Jane  offers Shamala a seat at the kitchen table and she sits.

                                                              JANE
                                              Are you okay? It's not Victor is it?  What
                                              happened Shala?

                                                             Shamala
                                              I want to leave him, but I think I still
                                              love him.  don't even know. When I am
                                              with him. I can not stand it, but when I
                                              am alone I think too much and I think
                                              about his family and my family and
                                              everyone who will be upset.  
                                                       
                                                              JANE
                                               You told him!
       
                                                              SHAMALA
                                                No. No. No, but I will tonight.

                                                
                                                              JANE
                                                   Coffee?
                                                          

                                                            SHAMALA
                                                   No

                                                             JANE
                                                  Water?

                                                            SHAMALA
                                                 Yes Please.

Jane goes into the kitche and opens the cupboard for a glass to fill.

                                                              JANE
                                                  Are you sure Shala? This is a big
                                                  decision... We are not like that to just
                                                  leave Shala.


                                                              (MORE)

NOLLYWOOD/ACTION:TAKE 1..............'THIS AMERICA" CONTINUES..

Continue from previous post-

                                                                CAB DRIVER (CONT' D)
                                            You know something? You remind me of
                                             someone.... I don't know if you grew up
                                             the same way but my parents, along with
                                             many people from Nigeria, would travel to
                                             London in the 70's... By the way how old
                                             are you?

          Jane gives him a hard look and stares out of the window without answering.
                                        
                                                              CAB DRIVER (CONT' D)
                                             Well, to make a long story short. I was
                                              just going to say that your hair reminds
                                              me of how people use to dress their hair
                                              in the 70's. It is an odd looking piece.
                                              You do not  see much of that anymore.
         
          The driver demonstrates how the style was by waving his hands around his
           hair.

           Jane clears her throat to prevent herself from giggling.
                                               
                                                               CAB DRIVER ( CONT'D)
                                                               (to Jane)
                                                   Well here you 7200 N. Sheridan Road. I hope
                                                    you are more talkative socially than what you
                                                    made yourself out to be here.

 Jane pays the driver and gets out slamming the door.

           
INT. JANE'S APARTMENT -      DAY

Jane walks into her bathroom and straight to the mirror to see what all the fuss is about regarding her hair.

                                                                JANE
                                                                (to her self)
                                                      I don't know what makes him think he can
                                                      talk to you in that manner? (staring at her self in the mirror)
                                                      How rude. A total stranger. He doesn't even have a clue.
                                                      Just a taxi driver that's all.

Jane moves the hair around her head revealing that she is wearing a wig that is worn over her own hair.
                                                                  JANE  (CONT' D)
                                                                 (to the wig on her head)
                                                       I think it's time I let go of you huh? If
                                                       a cabbie is going to ridicule me because
                                                       of you, then you can't be that great.

Jane giggles to herself as she goes into her living room to pick up the phone.


                                           Continue from next post...........................                                    

"THIS AMERICA" ACTION- TAKE 1:

Continue from the previous post.

CHICAGO-                                           (Inside the taxi )                              DAY             


                                                    CAB DRIVER ( CONT' D)
                                                 (to the rearview mirror)
                            Well I know a little about Nigeria. If I was to guess I would guess Nigeria.
                             It's been a while since I have been there, but where in Nigeria are you from?
                             Ibo, Lissa... am I close?

THE DRIVER TALKS TO THE REARVIEW AND CLEARS HIS THROAT.

                                                     CAB DRIVER (CONT' D)
                             I'm going to go with Ibo. Your from Ibo aren't you?
                             I know, I have a good sense of  people.
                             A sixth sense if you will. There was this one fair I had.
                             I remember it well. It was raining very badly and this
                             woman gets into my cab, Asain I believe.
                             Anyway she gets into my cab and she---
                                           
                                                       JANE
                                                 (softly)
                               ----No I'm not from Ibo.

                                                       CAB DRIVER
                               Pardon?

                                                        JANE
                                I am  not from Ibo.
                                                 
                                                        CAB DRIVER
                                Oh.....so where are you fron then?

                                                         JANE
                                 I think you passed up my place.

                                                        CAB DRIVER
                                 Relax. I know where I'm going- it's ok.
                                 These streets are my life.  I take pride in what I do.
                                 There aren't many people that are educated in the means of transportation;
                                 we are taken for granted.

Jane stares out of the window to avoid eye contact with the driver. [ Cab driver is your life, Jane thought to herself]